Users who reposted Audirvana Plus 3.2.5.AUDC_LINE is a virtual line to place the output on. Since its introduction in a freeware application dubbed. Output 1: Display to console: When set to True, and AUDC_LINE selected in the output box to the right of the project inspector, the output will display on the console. Audirvana Plus has been the mainstay of my digital audio player system for more than five years.
The preferences window can be opened by clicking on the top right of the project inspector, and selecting Preferences. The parameters of the input (port) will also need to be set specifically. The input will need to be set as an analog input, so the format is set to LINE.
Audirvana plus update#
Now check for update within application menu. The Application 3.x.x, the database and your preferences. The arrow next to the selected system takes you to the configuration settings of that device where you can configure VST plug-ins and enable the internal volume control. Copy in that folder (those are A+ software preferences) again to the new folder you made for backup old 3.2 version. The drop down menu will show all systems visible to Audirvana. AUDC_LINE should be added to the active input, using the audio source route and the configuration of AUDC_LINE should be set to use 'Audirvana' when linked to the playback application. Click on the Audio Devices icon at the bottom right of the interface to specify the playback system for Audirvana. The source should be set as AUDC_USB and the destination as AUDC_LINE BELOW. Set up the console and skip from source to destination. For a purely analogue signal path, an Avid Diva II SP/SME 309/Ortofon Cadenza Black aced as source via a Sutherland 20/20 phono stage. Linking the USB input to a headless Mac Mini allowed music files to be sourced from my NAS-based digital music library, using Audirvana 3.2.5 as the playback platform. In a sense, applications like Amarra, Audirvana Plus, and Pure Music hot-wire the computer, bypassing certain parts of the OS to create better sound.
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